in editing
For Sophia, the short story, is severely underdeveloped, I think. Like I'm trying to connect too many things together. I think I need to flesh hers and some of the other stories out more.
In editing and future paintings:
--playfulness is more successfully done in shapes rather than actual tones
--what if I did a similar color sequence of books on one of the shelves as in the painting?
--think about the editing process --a world coming into being. Writing is invention and discovery. What are the edges between what is written, unwritten, needs to be rewritten?
Need to:
--place darkness under shoes, and white needs to become more blue #colorworlds
--creamy pages for character's pages
--take the weird wall change and do it again?
Do I make a trail of dominoes around the corner? Or a corner with books so that it's outside of the paintings and set?
Others' read:
--a history of stops: teal of the lamp and red ties to Kum n Go
--stain of the cup feels like a memory,
------dominoes: where things used to be
------suitcase --all changes and memory
Goes to themes of:
Memory, change, loss, sentimentality, imperfection
X-Ref short stories?
Books become these ideas and personified with the leaning
A heavy figurative element toward everything --important because I don't want it to feel cold with the absence of the figure.
The white engages with the gallery white. I'm calling it a floating floor, floating painted set, floating author's study --once it's floating.
Floor reads as an unfinished thought. A moment in paint and color in the painting --look at me as more of an image than a floor.
Think about when you stray away from what the author is saying -like in Stranger Than Fiction --loses its color, becomes grayer --still need to watch.
And Rosencrantz & Guildenstern are Dead, Truman Show, Eternal Sunshine of the Spotless Mind
There's a spectrum of typed and drawn letters/writing improved from before
In editing and future paintings:
--playfulness is more successfully done in shapes rather than actual tones
--what if I did a similar color sequence of books on one of the shelves as in the painting?
--think about the editing process --a world coming into being. Writing is invention and discovery. What are the edges between what is written, unwritten, needs to be rewritten?
Need to:
--place darkness under shoes, and white needs to become more blue #colorworlds
--creamy pages for character's pages
--take the weird wall change and do it again?
Do I make a trail of dominoes around the corner? Or a corner with books so that it's outside of the paintings and set?
Others' read:
--a history of stops: teal of the lamp and red ties to Kum n Go
--stain of the cup feels like a memory,
------dominoes: where things used to be
------suitcase --all changes and memory
Goes to themes of:
Memory, change, loss, sentimentality, imperfection
X-Ref short stories?
Books become these ideas and personified with the leaning
A heavy figurative element toward everything --important because I don't want it to feel cold with the absence of the figure.
The white engages with the gallery white. I'm calling it a floating floor, floating painted set, floating author's study --once it's floating.
Floor reads as an unfinished thought. A moment in paint and color in the painting --look at me as more of an image than a floor.
Think about when you stray away from what the author is saying -like in Stranger Than Fiction --loses its color, becomes grayer --still need to watch.
And Rosencrantz & Guildenstern are Dead, Truman Show, Eternal Sunshine of the Spotless Mind
There's a spectrum of typed and drawn letters/writing improved from before
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