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What To Do With A Fancy Pencil

As I have critiques and studio visits most people I talk to can get on board with the idea of making a really nice pencil and the idea of it eventually being consumed, however the parameters surrounding the process of consumption seem to be where there is the most uncertainty/input so here is a list of options I can think of, and I welcome more suggestions. break the lead off in the wall mimicking another piece I'm working on give it to my eldest son to use at school and sharpen down (likelihood of it being lost in the first week is very high) make a drawing with it, though it is not a drawing pencil. shade a pedestal with it. play that game where you put your hand on a table and stab between each finger. rent it out for use. give it to Dylan to pin his hair with (though it doesn't necessarily get consumed that way) cover it with chicken grease and leave it out for a raccoon to chew on. use it to learn to write with my toes.  just use it like a normal pencil.  eat...
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Weekly Reflection 9/3

In reflecting on my work and it's direction following the studio visit this week, I've had a few thoughts. No cloud-parting revelations or anything like that, but I think some things clarified in my mind that need to be expressed. First of all, I've come to realize that I've built quite a barrier in between my work and myself. My paintings are all about thoughts, not feelings - there's no depth or personal investment. This is something I do subconsciously in my relationships, which is ironic considering a large theme in my work is having a real human connection with people. I certainly have no lack of emotional experiences to draw from in my work, and I think that's the problem. Vulnerability is scary. However, having identified that as a problem, I can do something about it now, and consciously be vulnerable in my art. Second, I need to be asking myself a lot more questions. At each stage in the process of making a painting, I should be asking myself "wh...
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Blog Post 09/17

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This week i meet with Marc Mitchell to go over the body of work I'm working on. I posted progress shots of the most current painting in progress. The canvas fabric is sewn together. Today I sewed together the next painting. I found the composition can be served by the channel created by the sewn line. It adds onto the effect of "pieced together." This piece seems to be more about personal placement within the home; my home. I feel this will only serve as a metaphor for disjointed gender. But in the context of a home, then traditional gender roles come into the forefront. That's not what this is about... This project is focused around my gender identity in and outside of a "living" space. Writing more about this will help me focus on what needs to happen for the works to be finished. Sharpie/Interior Latex First Layer of Paint More Paint
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