Exploration
Shelby
Fleming
Exploration
Previously my work has addressed
flaws in anatomy that make us individuals. Disabilities, illness, or
complications affect our life style and how we interact with the world around
us. This idea of illustrating flaws in anatomy converged with my fascination
for Micro Biology. In this, scanned elector microscope images of cellular
structures began to enter my work in the form of bone cells or more
specifically Osteoporosis.
Though anatomy is still predominant
in my work, I am approaching it from a new perspective that allows me to expand
the breath of my work by exploring new concepts, materials, and how art
exists. A few themes that emerged
through this exploration include: childhood phobia, fragility of the individual,
genetics, gender roles, grotesque beauty, and “the other.”
In the gender role concept, I look
to break down stereotypical roles associated with male and female to create an
equality. To achieve this, I reverse the role and environment of each gender in
hopes to reach more of an understanding and respect for the other. In the Men Working, performance I look to raise
questions of why are there no women workers on this site? Why are women workers
tasked with holding signs in construction environments? Why do women’s tools,
and clothing tend have unfunctional or unnecessary designs? (example: lighter
hammers that cannot hammer anything, fake pockets in pants)
Grotesque beauty I define as
evoking a since of disgust, pleasure, and repulsion all in one. It is the car
wreck that you slow down to stare at or the moldy green bread that surprises
you when you go to make a sandwich. “The other” also plays into this element of
surprise, but is more abstract in my mind, the object or experience is unknown.
This foreign material or body evokes a feeling of wonder and sublime but also discomfort
and tension.
Material has played an important
role in evoking a since of Grotesque beauty or “the other.” Neon color has been
a consistent media throughout this exploration as it alters the environment
that it occupies weather it is worn in a performance or manifests its self in
two or three-dimensional works. Other
materials have included fabric, panty hose, foam, bubble wrap, brick, plaster,
pvc pipe, toothpicks, found objects, mirror, jello, sunscreen, artificial
floral, cardboard, kool-aid, wire, and plastic.
New methods of construction have
caused me to question my preconceived ideas of how art should exist. These
construction methods include digital fabrication, digital media, readymade and
performance. The readymade, digital fabrication and digital media removes the
artists hand which, in the past, I have relied on extensively. Performance has
also opened a new avenue and means for communicating ideas.
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